Jean Dubuffet and Art brut

Champion of Raw Art and Redefiner of Artistic Boundaries Jean Dubuffet, a groundbreaking and iconoclastic figure in 20th-century art, is best known for founding the Art Brut movement in 1945. Art Brut, or "raw art," is a unique genre that celebrates the creations of non-traditional artists operating outside the established art scene—individuals such as psychiatric patients, prisoners, and societal eccentrics. Dubuffet was deeply fascinated by the authenticity and primal energy of their work, which he believed was untainted by academic training or the commercial pressures of the art market. Jean Dubuffet, Skedaddle (L’Escampette) Jean Dubuffet and the Birth of Art Brut Dubuffet's journey into Art Brut began with his desire to find a purer, more genuine form of artistic expression. He was disillusioned with the conventional art world's focus on technique, conformity, and marketability. Instead, he sought out works that emanated raw emotion and untamed creativity. This

Kehinde Wiley: Redefining Portraiture through Vibrant Celebrations of Black Identity

Reimagining Historical Narratives of the he Transformative Art

Kehinde Wiley stands as a transformative figure in contemporary art, celebrated for his vibrant, large-scale portraits that reimagine the traditional contexts of Old Master paintings. His work, which places Black men and women in powerful, regal, and often historically significant poses, challenges and redefines the conventions of portraiture. Wiley’s art not only celebrates Black identity but also addresses issues of race, power, and representation in both historical and contemporary contexts.

Kehinde Wiley

Early Life and Artistic Formation

Born in 1977 in Los Angeles, California, Kehinde Wiley grew up in a diverse, multicultural environment that greatly influenced his artistic vision. Wiley showed an early interest in art, and his mother enrolled him in after-school art classes at a young age. His formal art education began at the San Francisco Art Institute, where he earned his Bachelor of Fine Arts, followed by a Master of Fine Arts from the Yale University School of Art.

Wiley's early exposure to classical art history and traditional portraiture at Yale sparked a fascination with the way art has historically been used to convey power and status. He began to critically examine the absence of Black faces in these classical representations and sought to address this gap through his own work.

Reimagining Old Master Portraits

Wiley’s signature style involves placing contemporary Black men and women in the poses and settings of Old Master paintings. By doing so, he creates a powerful juxtaposition that challenges historical narratives and the traditional canon of art history. His subjects, often drawn from everyday life and street encounters, are depicted in the grand, opulent style of European portraiture, complete with ornate backgrounds and intricate details.

One of Wiley’s most famous works, "Napoleon Leading the Army over the Alps" (2005), is a reinterpretation of Jacques-Louis David’s iconic painting of Napoleon Bonaparte. In Wiley’s version, a contemporary Black man, dressed in modern streetwear, takes the place of Napoleon, riding a rearing horse against a backdrop of lush, decorative patterns. This reimagining not only elevates the subject but also critiques the traditional exclusion of Black individuals from such grand historical narratives.

The Process and Inspiration

Wiley’s process begins with a photograph. He often finds his subjects by walking through urban environments and inviting individuals to participate in his art. These subjects are typically styled in their own clothing, which Wiley incorporates into his compositions, blending contemporary fashion with historical references. He then photographs them in poses inspired by classical portraiture, later using these photographs as the basis for his large-scale paintings.

The backgrounds of Wiley’s portraits are as significant as the figures themselves. Drawing inspiration from a variety of sources, including textile patterns, wallpaper, and decorative arts, Wiley creates intricate and vibrant backgrounds that contrast with and highlight his subjects. These backgrounds often reference the decorative arts of various cultures, further enriching the narrative complexity of his work.

Exploring Themes of Power and Identity

Central to Wiley’s work is the exploration of power and identity. By positioning Black individuals within the traditionally white, Eurocentric contexts of classical portraiture, Wiley challenges viewers to reconsider the dynamics of power and representation. His portraits assert the presence and importance of Black identity in the historical and cultural narratives from which they have often been excluded.

In addition to reclaiming historical representation, Wiley’s work also addresses contemporary issues of race and identity. His subjects, depicted with a sense of dignity and grandeur, confront stereotypes and celebrate the diversity and complexity of Black experiences. Through his art, Wiley provides a counter-narrative to the often negative and one-dimensional portrayals of Black individuals in mainstream media and culture.

The Presidential Portrait

One of the most significant milestones in Wiley’s career was his commission to paint the official portrait of President Barack Obama in 2018. This portrait, unveiled at the Smithsonian National Portrait Gallery, is a striking departure from traditional presidential portraits. Obama is depicted seated against a backdrop of lush, vibrant foliage, with flowers representing different stages of his life and heritage.

Kehinde Wiley - President Barack Obama
Kehinde Wiley - President Barack Obama 

Wiley’s portrait of Obama is not only a celebration of the first Black president of the United States but also a powerful statement about the evolving nature of American identity and representation. The portrait’s dynamic composition and vivid colors reflect Wiley’s distinctive style and his ability to infuse historical traditions with contemporary relevance.

Expanding the Canvas: Global Influence and Projects

Wiley’s influence extends beyond the United States. His global projects have included works inspired by various cultures and historical contexts. For instance, his series "The World Stage" features portraits of individuals from countries such as China, India, Nigeria, and Brazil, each depicted within the visual and cultural frameworks of their respective histories.

Keinde Wiley - The World Stage
Keinde Wiley - Some paintings of "The World Stage"


Through these global projects, Wiley continues to explore the themes of identity, power, and representation on an international scale. By incorporating diverse cultural references and working with subjects from around the world, he broadens the scope of his critique and celebration of global Black identity.

Engaging with Public Spaces: Monumental Sculptures

In addition to his portraiture, Wiley has made significant contributions to public art through his monumental sculptures. These works, often installed in prominent public spaces, continue his exploration of historical representation and power dynamics.

One notable example is "Rumors of War" (2019), a monumental equestrian statue unveiled in Times Square before being permanently installed in Richmond, Virginia. The statue depicts a young Black man in contemporary streetwear astride a powerful horse, directly challenging the Confederate monuments that populate the Southern United States. This work underscores Wiley's commitment to recontextualizing historical symbols and asserting the presence and significance of Black identity in public memory.

The Kehinde Wiley Foundation: Empowering Future Artists

Wiley's impact extends beyond his artistic practice through his philanthropic efforts. He established the Kehinde Wiley Foundation, which supports arts education and community outreach programs. The foundation aims to empower the next generation of artists, particularly those from underrepresented communities, by providing access to resources, mentorship, and opportunities.

Through his foundation, Wiley seeks to create a more inclusive and equitable art world, ensuring that diverse voices are heard and celebrated. His commitment to education and community engagement reflects his belief in the transformative power of art and its potential to drive social change.

Legacy and Influence

Kehinde Wiley’s work has had a profound impact on contemporary art and the discourse surrounding race and representation. His bold and innovative approach to portraiture has challenged traditional art historical narratives and provided a powerful platform for Black identity and visibility. Wiley’s art has been exhibited in prestigious institutions around the world, and his influence can be seen in the work of numerous contemporary artists who continue to explore similar themes.

Wiley’s commitment to social engagement is also evident in his establishment of the Kehinde Wiley Foundation, which supports arts education and community outreach programs. Through this foundation, Wiley seeks to inspire and empower the next generation of artists, ensuring that the transformative power of art continues to reach diverse communities.

Kehinde Wiley’s vibrant, large-scale portraits have redefined the possibilities of contemporary portraiture. By placing Black men and women in the grand, opulent contexts of Old Master paintings, Wiley challenges historical narratives and celebrates the richness and complexity of Black identity. His work is a powerful statement about the importance of representation and the enduring impact of art in shaping our understanding of history, culture, and identity.

Through his innovative approach and commitment to social justice, Wiley has established himself as a leading voice in contemporary art. His portraits not only captivate and inspire but also provoke critical reflection on the dynamics of power, race, and representation. As Wiley continues to expand his practice and influence, his work remains a vital and transformative force in the art world and beyond.

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