Jean Dubuffet and Art brut

Champion of Raw Art and Redefiner of Artistic Boundaries Jean Dubuffet, a groundbreaking and iconoclastic figure in 20th-century art, is best known for founding the Art Brut movement in 1945. Art Brut, or "raw art," is a unique genre that celebrates the creations of non-traditional artists operating outside the established art scene—individuals such as psychiatric patients, prisoners, and societal eccentrics. Dubuffet was deeply fascinated by the authenticity and primal energy of their work, which he believed was untainted by academic training or the commercial pressures of the art market. Jean Dubuffet, Skedaddle (L’Escampette) Jean Dubuffet and the Birth of Art Brut Dubuffet's journey into Art Brut began with his desire to find a purer, more genuine form of artistic expression. He was disillusioned with the conventional art world's focus on technique, conformity, and marketability. Instead, he sought out works that emanated raw emotion and untamed creativity. This

Valerio Berruti - Udaka - Fango in Zulu

Valerio Berruti is undeniably emerging as one of the most intriguing figures in the contemporary Italian art scene. Recently, I had the distinct pleasure of delving into one of his captivating creations, the video animation titled "Udaka - Fango in Zulu." This particular work is a striking example of Berruti's innovative approach to art, which masterfully blends traditional techniques with modern expressions.



The animation is comprised of 350 individual drawings, each rendered on paper using earth sourced directly from the Nirox Foundation in Johannesburg, South Africa. This choice of material is not just an artistic decision but a profound statement on the global nature of art and its foundational ties to the earth, irrespective of geographical boundaries.

The protagonist of "Udaka - Fango in Zulu" is a little girl, a recurring character in Berruti’s works, notably appearing in "Over the Rainbow." This piece is part of his larger project titled "In Infinity I See You," a series of land art installations so expansive that they are best viewed from above, accessible through Google Earth. This ambitious project illustrates Berruti's skill in scaling his visions to monumental proportions, inviting viewers to explore his art from unique vantage points, thus altering their perceptual and emotional engagement with his works.

What’s particularly moving about "Udaka - Fango in Zulu" is how it encapsulates themes of innocence and the primal, earthy origins of life, conveyed through the eyes of a child. This theme resonates deeply, portraying the purity of childhood juxtaposed with the complexity of the cultural and environmental elements that shape us.

I was thoroughly enchanted by this video animation, so much so that it inspired me to share it on my blog. Valerio Berruti’s work represents a bridge between the tactile sensations of the physical world and the fluid dynamics of narrative storytelling. His ability to invoke reflection on both a personal and a collective level, using the simple yet profound medium of earth, showcases his prowess as an artist dedicated to exploring and understanding the human condition through art.

Berruti's commitment to integrating local elements from diverse environments into his art not only enhances the visual impact but also embeds a deeper sense of connectivity and relevance to the viewer, regardless of their origin. This approach makes his work universally resonant, tapping into shared human experiences and emotions through the lens of his unique artistic vision. As I share this piece on my blog, it is with the hope that others will be as moved and provoked by Valerio Berruti’s art as I have been.

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